the online magazine for seekers of spiritual and universal truth


Solstice Greeting from Marc Goldring

Friday, December 17th, 2010

The Art of Alicia Hunsicker

Sunday, May 9th, 2010

Divining with Nest and Egg


Hanging in the Balance



Weaving Order out of Chaos

Visit Alicia’s blog

An interview with Alicia Hunsicker

Sunday, May 9th, 2010

Alicia Hunsicker’s art has a gentleness and a precision that  weaves disparate themes and icons seamlessly and with remarkable effectiveness.

We are drawn into a thoughtful world where we are asked deep and meaningful questions and where we are shown the exquisite fragility of life.

Delicate eggs are suspended in perfect balance. Impending movement, breakage, loss and birth are all at play in the still and silent world of her compositions.

There is a delicious mystery and magic to these images.

We are pleased to feature the work of Alicia on Healingwheel this week and invite you to visit her website at

After spending an afternoon looking at Alicia’s paintings and sculptures we interviewed her to find out more about the visionary young artist and what makes her create.

HW:  What inspires you most?

AH:  What inspires me changes as my point of perception changes.  I try to use what I feel passionate, joyful, and curious about as my guide.   As I change and grow my work evolves as well.  Currently I am inspired by light, transparency, color, contrast, and multi-layered meaning.  I have also been interested lately in the Golden Mean and certain patterns/maps of the physical body that can be transcendent into the spiritual/energetic realm.  For example a map of acupuncture points on the human body or a palmistry hand diagram. These are the places where the spiritual/energetic world and the natural world intersect.

HW:  Do your paintings exist more in the creation of the art or the viewing of them? To what degree are you telling a story and to what degree are you asking the viewer to interpret their own story?

AH:   I am painting my life experiences. At times my own questions are being answered by what results from this process.  It is not necessary that the viewer know my own story for the work to have relevance.  The viewer brings their own unique perspective to the viewing experience.  The symbols I incorporate into my paintings often possess the possibility of multiple meanings. They are in a sense Multi-dimensional and layered with meaning.

HW:  There is an otherworldly quality to your work, almost a sort of religiousness. What moves you to create these themes?

AH:  I often feel as though I have a foot in two worlds at the same time the spiritual and the natural. The place where the two intersect is where I generate my imagery from. My paintings often have an iconic feel because of the archetypal symbolism I use and from the central placement of the imagery. AH:  I do believe that in honoring my own creative divinity and consciously exposing my unique perception of these worlds that a sense of sacredness and authenticity shines through.

HW:  Can you share with us something about your own spiritual journey?

AH:  I believe we all have a unique divine spark in us that drives us to expression. I believe that we are all connected but are here to expose and share the unique manifestation of the divine source that we carry inside ourselves. We are the leading edge of the expanding universe. We are the hands of the creator. I create art to express this essence, and my connection to it all.  Painting is the only voice I have found that comes close. When I hang a painting for public viewing and I feel a sense of exposure, I know I have expressed this and I feel I have accomplished my intention.

HW:  You play a lot with balance and with stillness and with suspension. Tell us about the suspense in the suspension.

AH:  In this series specifically, I was exploring the concept of the nature of duality although that wasn’t apparent as I first started the work.  I was originally interested in exploring light and darkness and realized quickly that there was much in-between that could be addressed as well.  I began to incorporate grey into my painting palette and noticing the grey areas in my life where I was not comfortable.  The Pendulum imagery was a direct result of that realization. The string is often entering the canvas from the sky indicating that it is being held by something larger than myself, a divine source perhaps.  Balance is a central theme in most of my work whether I am exploring the masculine/feminine, light/darkness, earth/sky, micro/macro, internal/external, etc. I am always striving for balance and a connection with the divine source.

HW:  Looking at your work invites me to interpret a subliminal message, to read a story that you have written into your work. HW:  Your painting, “Duality” seems to be as much a tale of the life experience as it is a painting. Do you consciously set out to deliver these messages or are they subconsciously percolating through your images?

AH:  There are elements of my process that are conscious, but the deeper I go into the creative process; the more the subconscious takes over.  I don’t set out to deliver a specific message to the viewer, but my choices in the objects that I use for symbolism tend be archetypal and are a result of my life experiences.

I trust the power of the creative process to infuse the work with meaning and that the way the finished piece is perceived will vary from person to person based on their own life experiences.

HW:  Where do you see your work going from here?

AH:  I am currently working on 2 new series of images.  The first series explores the concept of Inherent Divinity.  These works are mixed media on paper.  The second series which I am in the planning and research stages of will be exploring Orbs. I will be starting this series of paintings during my month long residency at Vermont Studio Center this July.

HW:  How has becoming a parent affected your creative process?

AH:  While I use images of nests, eggs, and pelvis’ that may be read as birth related, I would say that for me these symbols are not directly related to my experience as a parent.  They are more expressive of my interest in the feminine energy and that of creation.  Although, I will say that when I was pregnant with my son, I found that the physical reality of carrying a male child and experiencing that connection did change my work.  It inspired a new interest in me to incorporate the masculine into my paintings for the first time and strive for a balance between the two energies (feminine/masculine).

Alicia Hunsicker
Visit Alicia’s blog

Everything flows, out and in; everything has its tides;
all things rise and fall; the pendulum swing manifests in
everything; the measure of the swing to the right is the
measure of the swing to the left; rhythm compensates.
“Everything is Dual; everything has poles; everything
has its pair of opposites; like and unlike are the same;
opposites are identical in nature, but different in degree;
extremes meet; all truths are but half-truths;
all paradoxes may be reconciled.”
~The Kybalion.
(A Study of the Hermetic Philosophy of Ancient Egypt and Greece )

The Recent Artwork of Susan Lyman

Sunday, May 9th, 2010

Keeper of Cranbourne Chase
2009, graphite and oil on board, 16 x 16 inches

2009, maple, willow, and acrylic, 13 x 12.5 x 9 inches

Susan Lyman

Transition – Alaina Snipper

Tuesday, March 9th, 2010

I was visiting a friend one night and while he was puttering around in his house I sat down and started to draw. I closed my eyes and started thinking of my mom, who had died long ago. I started thinking of how I had visualized her transition and wondering how it would feel dying and leaving ones body to go back to where I believed we come from. I visualized the ties that bind us to our bodies being slowly un-braided and being released, swirling through and guided into another dimension.

New Art by Tova Gabrielle

Tuesday, March 9th, 2010

Rainbowbirds – Mark Alvin

Monday, November 30th, 2009

Mark Alvin created this image for license to Sunrise Greetings for use as a greeting card. The theme of transformation is a familiar one with Mark who sees all things as connected.


Angel with Dove of Peace – Mark Alvin

Monday, November 30th, 2009

Mark Alvin licensed this image to the Irish fine china manufacturer, Belleek Pottery for use on their annual collectible plate. The Artist used one of his daughters for the model.


Dan Brown’s Latest Paintings

Saturday, November 21st, 2009

More at Dan’s web site.
Beauty of God
Beauty of God

Darkest Hour
Darkest Hour



Dan Brown’s latest paintings

Wednesday, November 11th, 2009

Again Dan takes us into the beautiful astral realms and treats us to his sublime visions and breath taking colors. My favorite is “Monument Valley Moon”.

HaArvest Moon
Harvest Moon

West Wind
West Wind

Pagoda of Peace
Pagoda of Peace

Monument Valley Moon
Monument Valley Moon

Visit Dan’s web site